I am continuing to work around Chris Wiles’ design for a mask with a snap on filter. The rubber I wanted did not come in time so instead I decided to use Meshmixer to select the outer ring and create the same effect using the PLA design. It gave the mask a more aggressive look.
I created a photo series to document the time we are in and to use as a timestamp. These masks were created for doctors and front line workers as emergency backups, resorting to HVAC filters to breathe through.
I chose black and white as my canvas to show the isolating nature of quarantine. I used the mono-light function to achieve this effect.
Further developing the idea/imagining it in different scales.
Currently I want to make a midi controller that illuminates the relationship between pitches and water. In practical terms this will look be a device for adjusting and exploring the entire pitch spectrum. I want to do it in a way that can still be used in the music production pipeline, so I will be locking scale/key into the process.
Two big inspirations are the Roli Seaboard and the RC-20 plugin. The Roli seaboard gives access to all of the pitches outside of the traditional piano structure. When playing a note the user can move up and down to explore the pitches in between notes. This video also demonstrates how that sounds when playing a chord. I want to explore similar principles, but away from the piano. I want the sounds to feel like an ocean, explored through controlled movement.
The RC-20 plugin also demonstrates how exact pitches have their time and place, but often times our ear associates slight wobble, with a vintage texture. This is because analog devices like tape and vinyl have texture to them like a pitch wobble and added noise.
The things I want to experiment with most:
—Pitch modulation as exploration
–Added noise for texture
–Locking melodic scale while allowing for interesting/unique compositions
–Getting the wah effect of a guitar string
Practical interfaces I can utilize:
I’m really inspired by this project from Amanda Ghassaei where she uses an accelerometer and gyroscope to change notes.
Why not ride the audio wave with a surfboard? What if that surfboard had an accelerometer and gyro attached?
Let’s imagine the project in three scales/formats
The controller is a literal surfboard where the user modulates pitch with their movement and angle. There are hand controllers to change notes.
If audio that has been printed on tape is suspended in the air, the user can pull it to adjust the sound. There is a direct link to the hardware and audio. This isn’t music creation as much as it is performance. How can one manipulate their movements to achieve what they want from the tape. Pulling it will adjust pitch and speed. The more it is stretched and used, the harsher it will sound, adding even more noise and texture. Eventually it will completely degrade, which emphasizes the physical nature of the medium.
Can digital audio degrade naturally? Can there be a link between real physical degradation and digital audio degradation/distortion.
Online Audio Manipulator
If this project was online as a tool, you could drop an audio file into the program. There will be an advanced audio visualizer that also lets you edit. I am inspired by the spectral display function in Adobe Audition where it shows you a heat map of frequencies and let’s you manipulate it. This is mainly used to erase spikes in the frequency spectrum cause by unexpected things while recording audio.
Week 4 In Class
During class I’m going to set up an Arduino Nano with some push buttons to start prototyping the accelerometer feature/sending midi information to the computer.
For my final I built upon some of the work I’ve made this semester. I made a randomized sound looper, that changing uses the alphabet and a 10print operation to display whats currently playing.
When you press a key, a 9 second sound file I created will be triggered. In order to keep the sounds together, they do not play until the looper restarts. This is something I will improve on in further versions as it can be time consuming to always wait 9 seconds to hear changes to what is going on.
I built on my LetterToNum class and object definitions to attach letters to music files I imported.
I made all of the sounds in Presonus Studio One, at 107bpm. There are wurlitzer, drum, guitar, jazz organ, and bass tracks.
The motor I will be mounting is an electrical shutter driver. It has a small motor that takes 5V and opens the shutter mechanism. As long as voltage is supplied it will open.
From the front you can see the mounting space for the shutter. I have two 3/4″ mounting holes to further secure the shutter.
I created the viewfinder based on a rangefinder camera I took apart. This gives about a 35mm view from the beginning of the focal plane.
Below you can see my snap fit design. There is a very small gap between the components and a chamfered edge on the lid. This way it will stay locked but isn’t so hard to get into place.
I modeled the film holder after the original Minolta 16 design.
The two pieces on the side will be glued after and will be used to advance the film.
I measured and added a oled screen hole to display shutter speed and battery life. There are four m3 screw holes to mount this display. There is also a hole for the rotary encoder that will control the shutter speed.
For my project enclosure I decided to finally house an old project of mine. My roommate and I created an automatic watering system for plants with a sunken reservoir. This would take water in through one hose and pump it through the output house into the water basin.
I took a trip to the hardware store and I was immediately inspired by the electrical boxes. I thought it would make a great enclosure for our system based on size and mounting holes. I found a plate with an S hook that would be used to attach the box to any plant base.
The look of the electrical boxes isn’t too pleasing so I decided to paint it with one shot. I was told that this would be the best paint for metal. Although the fact that these boxes will be used indoors only I probably could have spray painted it.
After installing the S hook on the outside, I began measuring for a 3d printed piece. This would enclose the large opening but leave room for two hoses.
I modeled and printed the piece.
This is what the enclosure looks like hanging off the side of the planter.
Ray and I started out with the idea of creating a randomized music creator/visualizer. This would be based in text. We originally wanted it to play a sequence of drum loops/melodies that follow text input from the user. We eventually ended with a random generator that categorizes every letter to a specific drum loop and melody. What you type into the input field, is visualized with the text itself and circles that are connected to the amplitude of the mic input. The drum loop and melody at this point is only based in the first two letters.
For my ITP Winter show postcard I wanted simplicity to live at the center. While brainstorming I was faced with the problem that ITP cannot really be summed up in an image or two. There is so much going on in this program, so many disciplines and people from all over the world. The prompt also asked to keep a human centered design. In order to achieve this I chose the most important details I wanted to include.
1: This is the Winter show NOT the spring show and it is in Brooklyn.
2: What are the dates for the show?
3: What kind of a program are we, and how can we display the humanity and community we have here?
Keeping these key thoughts in mind, here is my final design.
Bold and front and center we have “ITP Winter Show.” I chose Christmas colors and snowflakes to drive home the winter point. Using the same font, not bold and half of the size, I put the secondary information. This includes the dates and location of the show.
While thinking of Christmas colors, it was hard to ignore that red and green wires would look nice. I found multiple designs on Flaticon.com that could work for my idea. I eventually decided to use these icons because they filled the page beautifully. I deleted the normal wire endings from this icon as well in order to put hands in its place. I found some mitten looking hands to do this and accentuate the Christmas theme again.
The bottom left of my poster still needed something to fill the space and to add personality. I found this icon of two people holding a wrench together. This helped with the idea of working together, and I thought my snowflakes could make nice replacements for their heads. They also look like gears in my opinion, but this is an added detail that might not come across.
I mainly chose to use vectors and icons for this design because I want to build my skills there but it would be interesting to see how I would design a second one using a photograph as the main element.
To develop my own color palette I used one of my favorite movies as inspiration, the film “The Conformist” by Bernando Bertolucci. It is filled with beautiful colors and Vittorio Storaro is a cinematographer who knows how to use colors powerfully. This scene is dark and beautiful at the same time, the range of oranges/burgundy/black/bright yellow sends a powerful message.
The two images below are both photographs I took, that I thought would look interesting in my color palette. I used the Photoshop forced index color mode feature to force these images into the palette.
For my first work with shapes I wanted to show the gradient of my color palette using strips of rectangles disappearing into the background.
Below I experimented with different shades that could be used to create the same light bulb.
Below is my take on Josef Alber’s “Homage to Squares.”
I did the same experiment below as with the light bulbs, instead using a slightly more opaque background color.
For our pixel array project Jan and I were inspired by two pieces of art, the Treachery of Images and John Baldesarri’s “I will not make anymore boring art.” We wanted to recreate the pipe image with text pixels that read “this is not an image.” Once we got that working we decided to decode the image in red. When you type the letters in the words, they reappear in their original pixels.
First we had to load all of the pixels of the original image. We wrote a for loop to go through each pixel and take the color value. We created an array with the letters that are in “this is not an image.” After that, we re-project the letters over the image with a condition. This condition is whether or not each text variable has been typed yet. This is found in the special p5 function keyTyped. We flip each variable every time it is pressed. If it has not been pressed it starts out red. Once it is pressed it displays the original color of the treachery of images.
Below is our keyTyped function and Letter class we created to store the information of each letter pixel.